Boijmans van beuningen oskar kokoschka biography
Oskar Kokoschka
| Austrian artist and playwright, representative of expressionism Date of Birth: Country: Austria |
Content:
- Biography of Oskar Kokoschka
- Style and Artistic Development
Biography of Oskar Kokoschka
Oskar Kokoschka (–) was an Austrian painter, graphic artist, poet, and playwright.
He was born on March 1, , in Pöchlarn. From to , Kokoschka studied at the School of Arts and Crafts in Vienna. Prior to World War I, he mainly lived in Berlin and Vienna, and also traveled to Switzerland, Paris, and Munich.
Boijmans van beuningen oskar kokoschka biography The large crab is symbolic of Neville Chamberlain , the British Prime Minister at the time the painting was created. Painting , printmaking , poetry , play writing. Early life [ edit ]. Eight of Kokoschka's paintings were included in the Nazis' 'degenerate art' exhibition of including his Self-Portrait as 'Degenerate' Artist, the title capturing his spirit of defiance.In , he participated in the activities of the first Berlin Secession. During the war, Kokoschka served on the frontlines. From to , he taught at the Academy of Fine Arts in Dresden. He then traveled extensively throughout Europe and the Middle East, periodically living in Paris, Vienna, Prague, and London. Kokoschka passed away on February 22, , in Montreux, Switzerland.
Style and Artistic Development
Kokoschka's works demonstrate changes in style and interests throughout his career.
Before World War I, he specialized in portraits that displayed a remarkable depth of insight into the model's inner life. The artist's style during this period was characterized by a delicate linear interpretation of forms and freedom from descriptive realism (Portrait of Doctor Hermann Forel, Berlin, private collection).
Boijmans van beuningen oskar kokoschka biography wikipedia This work functions as a self-portrait of the artist, where Kokoschka is the swimmer representing Czechoslovakia. Both wrote eloquently of the need to develop the art of "seeing" Kokoschka emphasized depth perception while Beckmann was concerned with mystical insight into the invisible realm , and both were masters of innovative oil-painting techniques anchored in earlier traditions. Article Talk. Miesel ed.However, gradually, his technique began to demonstrate a greater interest in painting (Self-Portrait, New York, Museum of Modern Art), while still maintaining a subtle perception of the model.
In the s, Kokoschka was considered one of the most talented German expressionists. During this period, he turned to landscape painting, which became his favorite genre.
The introverted nature of his early works gave way to pieces in which the impulse was drawn from external sources, incorporating bold natural forms sculpted with impasto brushstrokes in vibrant tones (Elbe near Dresden, Detroit, Institute of Arts, and Marseille Harbor, St. Louis, City Museum of Art).
During World War II, there was a temporary lull in Kokoschka's creative output, but he later produced works that fully retained their expressiveness while becoming more nuanced in color and composition (Matterhorn Mountain, Zurich, H.
Lutjens Collection).
In , a collection of Kokoschka's selected literary works, created between and , was published.